{"id":54581,"date":"2025-11-14T14:18:00","date_gmt":"2025-11-14T11:18:00","guid":{"rendered":"https:\/\/blog.turkishairlines.com\/?p=54581"},"modified":"2025-12-04T14:15:38","modified_gmt":"2025-12-04T11:15:38","slug":"imc-sanatcilari-ve-eserleri-acik-havada-modern-sanat-kesfi","status":"publish","type":"post","link":"https:\/\/blog.turkishairlines.com\/tr\/imc-sanatcilari-ve-eserleri-acik-havada-modern-sanat-kesfi\/","title":{"rendered":"\u0130M\u00c7 sanat\u0131: A\u00e7\u0131k havada modern sanat\u0131n usta eserleri"},"content":{"rendered":"\n
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Modern mimari ve kamusal sanat\u0131n bulu\u015fmas\u0131: \u0130M\u00c7’deki eserlerin<\/strong> hikayesi<\/strong><\/strong><\/h2>\n\n\n\n

Unkapan\u0131 Plak\u00e7\u0131lar \u00c7ar\u015f\u0131s\u0131’n\u0131n mimari kabu\u011fu olan \u0130stanbul Manifaturac\u0131lar \u00c7ar\u015f\u0131s\u0131 (\u0130M\u00c7), m\u00fczikle harman olmu\u015f bu mek\u00e2n\u0131n in\u015faa edildi\u011fi tarihte duvarlar\u0131na i\u015flenen modern T\u00fcrk sanat\u0131 eserleriyle \u0130stanbul\u2019un en \u00f6zg\u00fcn a\u00e7\u0131k hava sergilerinden birine ev sahipli\u011fi yap\u0131yor. \u0130M\u00c7 Sanat\u00e7\u0131lar\u0131 ve Eserleri, sadece bir yap\u0131 de\u011fil; modern mimari, geleneksel \u00e7ar\u015f\u0131 k\u00fclt\u00fcr\u00fc ve kamusal sanat\u0131n bulu\u015fma noktas\u0131d\u0131r. Bedri Rahmi Ey\u00fcbo\u011flu, F\u00fcreya Koral ve Kuzgun Acar gibi ustalar\u0131n 1960’larda betona i\u015fledi\u011fi bu sanat eserleri ve \u0130M\u00c7\u2019nin tarihine gelin birlikte g\u00f6z atal\u0131m.<\/p>\n\n\n\n

\u0130M\u00c7, 1950\u2019lerin sonunda Tarihi Yar\u0131mada\u2019n\u0131n \u00e7eperinde<\/a> tasarlanm\u0131\u015f vizyoner bir mimari proje. 1957\u2019de a\u00e7\u0131lan yar\u0131\u015fmay\u0131, gen\u00e7 mimarlar Do\u011fan Tekeli, Sami Sisa ve Metin Hepg\u00fcler\u2019in alt\u0131 bloklu modern \u00e7ar\u015f\u0131 \u00f6nerisi kazand\u0131. Proje, S\u00fcleymaniye Camii ve \u00e7evresindeki tarih\u00ee siluete sayg\u0131 duymak ad\u0131na dikey de\u011fil yatay bir k\u00fctle \u00f6ng\u00f6r\u00fcyordu. Do\u011fal arazi e\u011fimini kullanarak bloklar\u0131 birbirine eklemlenmi\u015f yatay bir d\u00fczende tasarlayan mimarlar, Osmanl\u0131 \u00e7ar\u015f\u0131lar\u0131n\u0131n avlu ve ge\u00e7it d\u00fczenini de modern \u00fcslupla yeniden yorumlad\u0131lar. 1967\u2019de ilk k\u0131sm\u0131 a\u00e7\u0131lan \u0130M\u00c7, toplam 1.117 d\u00fckk\u00e2n\u0131, i\u00e7 avlular\u0131, rampal\u0131 yollar\u0131 ve sarmal merdivenleriyle d\u00f6nemin en b\u00fcy\u00fck \u00f6l\u00e7ekli al\u0131\u015fveri\u015f merkeziydi. Alt\u0131 ayr\u0131 blok, zemin katlar\u0131nda sokak benzeri pasajlarla hem birbirine ba\u011flan\u0131yor hem de \u00e7evre mahalleye ve Atat\u00fcrk Bulvar\u0131\u2019na a\u00e7\u0131l\u0131yordu. Bu \u00f6zg\u00fcn tasar\u0131m, \u0130M\u00c7\u2019yi T\u00fcrk mimarl\u0131k tarihinde<\/a> yerel ile moderni bulu\u015fturan \u00e7arp\u0131c\u0131 bir \u00f6rnek h\u00e2line getirdi. Nitekim yap\u0131, in\u015fa edildi\u011fi d\u00f6nemde \u201c\u0130stanbul\u2019da tek seferde ger\u00e7ekle\u015ftirilmi\u015f en b\u00fcy\u00fck mimari yap\u0131\u201d \u00fcnvan\u0131n\u0131 alm\u0131\u015f ve modern T\u00fcrk mimarisinin \u00f6nemli ba\u015fyap\u0131tlar\u0131ndan biri kabul edilmi\u015f.<\/p>\n\n\n\n

\u0130M\u00c7\u2019yi benzer ticaret yap\u0131lar\u0131ndan farkl\u0131 k\u0131lan y\u00f6nlerden biri kamusal alana sanat eserlerini entegre eden erken d\u00f6nem deneyimlerden biri olmas\u0131. 1960\u2019larda d\u00fcnyada b\u00fcy\u00fck yap\u0131lara kamusal sanat yerle\u015ftirme e\u011filimi g\u00fc\u00e7 kazan\u0131rken, \u0130M\u00c7\u2019nin ba\u015f mimar\u0131 Do\u011fan Tekeli de bu ak\u0131ma \u0130stanbul\u2019da \u00f6nc\u00fcl\u00fck etti. O d\u00f6nemde T\u00fcrkiye\u2019de \u00e7\u0131kan bir y\u00f6netmelik, devlet yap\u0131lar\u0131n\u0131n in\u015faat b\u00fct\u00e7esinin %2\u2019si de\u011ferinde sanat eseri konulmas\u0131n\u0131 \u015fart ko\u015fuyordu. Tekeli bu fikri \u0130M\u00c7\u2019de uygulamaya koyarak \u00e7ar\u015f\u0131n\u0131n belirli noktalar\u0131na \u0130stanbul\u2019u ve ticareti simgeleyen heykel veya panolar yerle\u015ftirmeyi \u00f6nerdi. \u00c7ok s\u0131n\u0131rl\u0131 bir b\u00fct\u00e7eyle a\u00e7\u0131lan yar\u0131\u015fma sonucunda, d\u00f6nemin \u00f6nde gelen sekiz sanat\u00e7\u0131s\u0131 \u0130M\u00c7\u2019de eserlerini sergilemeye hak kazand\u0131. 1965-67 y\u0131llar\u0131 aras\u0131nda \u00e7ar\u015f\u0131n\u0131n \u00e7e\u015fitli bloklar\u0131na yerle\u015ftirilen dokuz eser, \u0130M\u00c7\u2019yi adeta \u00e7a\u011fda\u015f T\u00fcrk sanat\u0131n\u0131n bir vitrini haline getirdi. Mimar Do\u011fan Tekeli y\u0131llar sonra bu hareketin tarihsel devaml\u0131l\u0131k i\u00e7in yap\u0131ld\u0131\u011f\u0131n\u0131 da \u015f\u00f6yle ifade etmi\u015f; \u201cBu yap\u0131 \u00e7a\u011fda\u015f T\u00fcrk sanat\u0131ndan \u00f6rnekler ta\u015f\u0131mal\u0131 dedim. S\u00fcleymaniye\u2019de nas\u0131l Karahis\u00e2r\u00ee\u2019nin hatlar\u0131, Sarho\u015f \u0130brahim\u2019in vitraylar\u0131 var, bu da \u00f6yle bir \u015fey, \u00e7a\u011f\u0131n T\u00fcrk sanat\u0131ndan bir \u00f6rnek ta\u015f\u0131mal\u0131\u2026\u201d<\/p>\n\n\n\n

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\u0130M\u00c7’nin duvarlar\u0131ndaki sanat\u00e7\u0131lar ve unutulmaz eserleri<\/strong><\/strong><\/h2>\n\n\n\n

Bu vizyon sonucunda \u0130M\u00c7\u2019nin duvarlar\u0131 ve meydanlar\u0131, kamusal alanda sanatla i\u00e7 i\u00e7e ge\u00e7en bir a\u00e7\u0131k hava m\u00fczesine d\u00f6n\u00fc\u015ft\u00fc. Beton bloklar\u0131n cephelerine ve avlu k\u00f6\u015felerine, \u0130stanbul kent k\u00fclt\u00fcr\u00fcn\u00fc yans\u0131tan mozaik, seramik, heykel ve r\u00f6lyefler yerle\u015ftirildi. G\u00fcn\u00fcm\u00fczde \u00e7ok kimse fark etmese de \u0130M\u00c7 i\u00e7erisinde Bedri Rahmi Ey\u00fcbo\u011flu, Eren Ey\u00fcbo\u011flu, Kuzgun Acar, Ali Teoman Germaner, Yavuz G\u00f6rey, F\u00fcreya Koral, Sadi Diren ve Nedim G\u00fcns\u00fcr gibi T\u00fcrk sanat\u0131n\u0131n ustalar\u0131na ait de\u011ferli eserler bulunuyor. <\/p>\n\n\n\n