{"id":57840,"date":"2026-01-09T10:00:00","date_gmt":"2026-01-09T07:00:00","guid":{"rendered":"https:\/\/blog.turkishairlines.com\/?p=57840"},"modified":"2026-02-09T10:57:59","modified_gmt":"2026-02-09T07:57:59","slug":"sanat-rotasi-turkiyenin-meshur-tablolari","status":"publish","type":"post","link":"https:\/\/blog.turkishairlines.com\/tr\/sanat-rotasi-turkiyenin-meshur-tablolari\/","title":{"rendered":"Me\u015fhur tablolara ilham veren ger\u00e7ek mek\u00e2nlar"},"content":{"rendered":"\n
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Bursa\u2019daki Ye\u015fil Camii: Kaplumba\u011fa Terbiyecisi\u2019nin d\u00fcnyas\u0131na bir yolculuk<\/strong><\/h2>\n\n\n\n
\"Kaplumba\u011fa
Kaplumba\u011fa Terbiyecisi, Osman Hamdi Bey<\/figcaption><\/figure>\n\n\n\n

Yolculu\u011fumuz, T\u00fcrk sanat\u0131n\u0131n en \u00e7ok tan\u0131nan eserlerinden biri olan Osman Hamdi Bey\u2019in Kaplumba\u011fa Terbiyecisi ile ba\u015fl\u0131yor. Tablo, Bursa\u2019daki Ye\u015fil Camii\u2019nin mimari unsurlar\u0131ndan esinlenilmi\u015f, \u00e7inilerle kapl\u0131 bir mek\u00e2nda kaplumba\u011falar\u0131 e\u011fitmeye \u00e7al\u0131\u015fan c\u00fcppeli bir dervi\u015fi tasvir ediyor. Sembolizmi son derece g\u00fc\u00e7l\u00fc bir eser. Pek \u00e7ok izleyicinin fark etmedi\u011fi nokta, Kaplumba\u011fa Terbiyecisi\u2019ndeki fig\u00fcr\u00fcn hayali bir dervi\u015f yerine bilin\u00e7li bi\u00e7imde kurgulanm\u0131\u015f bir persona olmas\u0131. Osman Hamdi Bey, di\u011fer pek \u00e7ok eserinde oldu\u011fu gibi bu tabloda da kendisini model olarak kullanm\u0131\u015f.<\/p>\n\n\n\n

Bursa\u2019daki Ye\u015fil Camii\u2019nin mimari kurgusunda oldu\u011fu gibi, fig\u00fcr ve mek\u00e2nda do\u011frulu\u011fu yakalamak i\u00e7in bir foto\u011fraf koleksiyonundan yararlanm\u0131\u015f. Pencerenin \u00fczerindeki Arap\u00e7a kitabe, \u201c\u015eifa\u2019al-kul\u00fbb lik\u00e2\u2019al Mahb\u00fbb\u201d, yani \u201cKalplerin \u015fifas\u0131 Sevgili\u2019ye, Peygamber Muhammed\u2019e kavu\u015fmaktad\u0131r\u201d ifadesi, do\u011frudan camiden al\u0131nm\u0131\u015f ve sahnenin tefekk\u00fcr dolu atmosferini derinle\u015ftiriyor. Resmin anlam\u0131na dair k\u00fclt\u00fcrel ve sosyal bir\u00e7ok yorum bulunmas\u0131n\u0131n yan\u0131 s\u0131ra, i\u00e7erdi\u011fi mimari unsurlar tarihsel bir ger\u00e7ekli\u011fe dayan\u0131yor.<\/p>\n\n\n\n

\"Osman
Osman Hamdi Bey\u2019in Kaplumba\u011fa Terbiyecisi tablosuna mimari ilham veren Bursa\u2019daki Ye\u015fil Camii\u2019nin i\u00e7 mek\u00e2n\u0131<\/figcaption><\/figure>\n\n\n\n

Osman Hamdi Bey bu kompozisyon i\u00e7in ilham\u0131n\u0131 Bursa\u2019daki Ye\u015fil Camii\u2019nin \u00fcst kat\u0131ndan alm\u0131\u015f. 1420\u2019li y\u0131llarda Sultan I. Mehmed taraf\u0131ndan in\u015fa edilen cami, ad\u0131n\u0131 veren turkuaz s\u0131rl\u0131 \u00e7inileriyle tan\u0131n\u0131yor.<\/p>\n\n\n\n

Bug\u00fcn ziyaret\u00e7iler, sanat\u00e7\u0131n\u0131n hayal d\u00fcnyas\u0131n\u0131 besleyen bu mek\u00e2n\u0131n i\u00e7ine ad\u0131m atabiliyor. Tabloda dervi\u015fin durdu\u011fu noktaya kar\u015f\u0131l\u0131k gelen b\u00f6l\u00fcm\u00fcn \u00fczerinde, sivri kemerli a\u00e7\u0131kl\u0131\u011f\u0131 ve \u00fczerindeki kitabesiyle pencere h\u00e2l\u00e2 g\u00f6r\u00fclebiliyor. Bu odan\u0131n sessizli\u011finde, sabah \u0131\u015f\u0131\u011f\u0131 ince \u00e7ini i\u015f\u00e7ili\u011finin aras\u0131ndan s\u00fcz\u00fcl\u00fcrken, y\u00fczy\u0131llar sanki birbirine kar\u0131\u015f\u0131yor. Erken Osmanl\u0131 mimarisinin zamans\u0131z g\u00fczelli\u011fini sab\u0131rla ve derin bir dikkatle inceleyen sanat\u00e7\u0131n\u0131n varl\u0131\u011f\u0131n\u0131 burada hissedebilirsiniz.<\/p>\n\n\n\n

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Galata Kulesi: Ay \u0131\u015f\u0131\u011f\u0131 ve romantizm<\/strong><\/h2>\n\n\n\n
\"Tepeba\u015f\u0131\u2019ndan
Tepeba\u015f\u0131\u2019ndan \u0130stanbul Gece Manzaras\u0131, Ivan Ayvazovski<\/figcaption><\/figure>\n\n\n\n

Az say\u0131da \u015fehir, ressamlar\u0131 \u0130stanbul kadar b\u00fcy\u00fclemi\u015ftir; yine az say\u0131da \u015fehrin silueti, 19. y\u00fczy\u0131l sanat\u00e7\u0131lar\u0131n\u0131n burada ke\u015ffetti\u011fi gece b\u00fcy\u00fcs\u00fcne sahiptir. I\u015f\u0131k ve atmosfer betimlemesinin b\u00fcy\u00fck ustalar\u0131ndan Ivan Ayvazovski, 1845 ile 1890 y\u0131llar\u0131 aras\u0131nda kenti sekiz kez ziyaret etti. Bu ziyaretler s\u0131ras\u0131nda ortaya \u00e7\u0131kan eserler aras\u0131nda, ay \u0131\u015f\u0131\u011f\u0131 alt\u0131nda parlayan bir \u015fehir panoramas\u0131 sunan Tepeba\u015f\u0131\u2019ndan \u0130stanbul Gece Manzaras\u0131 da yer al\u0131yor.<\/p>\n\n\n\n

Bu tabloda izleyicinin bak\u0131\u015f\u0131, Pera s\u0131rtlar\u0131n\u0131n \u00fczerinde y\u00fckselen Galata Kulesi\u2019ne hemen y\u00f6neliyor. Solunda Nusretiye Camii, biraz ilerisinde ise Defterdar Camii g\u00f6r\u00fcl\u00fcyor. Uzakta Anadolu yakas\u0131, \u00dcsk\u00fcdar\u2019dan Kad\u0131k\u00f6y’e do\u011fru uzanarak ayd\u0131nlanan sular\u0131n kar\u015f\u0131s\u0131nda yumu\u015fak, koyu bir hat olu\u015fturuyor. Kompozisyonun sa\u011f taraf\u0131nda ise Topkap\u0131 Saray\u0131, Aya \u0130rini, Ayasofya ve Sultanahmet Camii\u2019nin an\u0131tsal k\u00fctleleri eseri dengeliyor; her biri ay \u0131\u015f\u0131\u011f\u0131 alt\u0131nda hafif\u00e7e belirginle\u015fiyor.<\/p>\n\n\n\n

\"Alacakaranl\u0131kta
Alacakaranl\u0131kta ayd\u0131nlat\u0131lm\u0131\u015f Galata Kulesi\u2019nin, geni\u015f \u0130stanbul silueti ve uzaktan g\u00f6r\u00fcnen Tarihi Yar\u0131mada ile birlikte yukar\u0131dan g\u00f6r\u00fcnen manzaras\u0131<\/figcaption><\/figure>\n\n\n\n

Bug\u00fcn Tepeba\u015f\u0131\u2019ndan gece manzaras\u0131 eskisi kadar a\u00e7\u0131k ya da eri\u015filebilir de\u011fil, ancak g\u00fcn\u00fcm\u00fczde en uygun seyir, kuzeybat\u0131dan parlak bi\u00e7imde ayd\u0131nlat\u0131lm\u0131\u015f Galata Kulesi\u2019ne do\u011fru uzanan perspektiften yap\u0131labilir. Gece \u00e7\u00f6kt\u00fc\u011f\u00fcnde kule, Karak\u00f6y\u2019\u00fcn \u00fczerinde bir deniz feneri gibi parl\u0131yor. Aivazovsky\u2019nin tablosundaki bask\u0131n silueti yank\u0131lan\u0131yor. Bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda Hali\u00e7, sola do\u011fru yumu\u015fak bir k\u0131vr\u0131mla uzan\u0131yor, \u00fczerinde vapurlar geziyor ve Beyo\u011flu\u2019nun tepeleriyle \u00e7evreleniyor. Suyun kar\u015f\u0131s\u0131nda ise Tarihi Yar\u0131mada\u2019n\u0131n silueti, Aivazovsky\u2019nin ay \u0131\u015f\u0131\u011f\u0131 alt\u0131nda yakalad\u0131\u011f\u0131 o katmanl\u0131 \u015fehir manzaras\u0131n\u0131 yans\u0131t\u0131yor.<\/p>\n\n\n\n

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Ayasofya: Zamans\u0131z bir mabedin i\u00e7inde<\/strong><\/h2>\n\n\n\n
\"Gaspare
Gaspare Fossati – Louis Haghe – B\u00fcy\u00fck Nefin Genel G\u00f6r\u00fcn\u00fcm\u00fc, Bat\u0131 Y\u00f6n\u00fc, Ayasofya<\/figcaption><\/figure>\n\n\n\n

Y\u00fczy\u0131llar boyunca Ayasofya, devasa boyutunu tuvale ve k\u00e2\u011f\u0131da aktarmak isteyen sanat\u00e7\u0131lar\u0131 kendine \u00e7ekti. Bu g\u00f6rsel kay\u0131tlar aras\u0131nda en \u00f6nemlilerinden biri, 1847\u20131849 y\u0131llar\u0131 aras\u0131nda yap\u0131n\u0131n kapsaml\u0131 restorasyonunu y\u00f6neten \u0130svi\u00e7reli mimar Gaspare Fossati\u2019nin \u00e7izimlerinden yola \u00e7\u0131karak Louis Haghe taraf\u0131ndan 1852\u2019de haz\u0131rlanan litografi. B\u00fcy\u00fck Nefin Genel G\u00f6r\u00fcn\u00fcm\u00fc, Bat\u0131 Y\u00f6n\u00fc ba\u015fl\u0131kl\u0131 bu \u00e7al\u0131\u015fma, i\u00e7 mek\u00e2n\u0131 ola\u011fan\u00fcst\u00fc bir hassasiyetle tasvir ediyor. \u0130badet edenler, devasa kemerlerin alt\u0131nda k\u00fc\u00e7\u00fcc\u00fck fig\u00fcrler olarak belirirken, muazzam kubbe \u00fczerlerinde dingin bir ihti\u015famla y\u00fckseliyor. Bu g\u00f6rsel, Ayasofya\u2019n\u0131n yaln\u0131zca mimari sofistikeli\u011fini de\u011fil, neredeyse kavranmas\u0131 g\u00fc\u00e7 b\u00fcy\u00fckl\u00fc\u011f\u00fcn\u00fc de g\u00f6steriyor.<\/p>\n\n\n\n

\"Ayasofya
Ayasofya i\u00e7 mekan<\/figcaption><\/figure>\n\n\n\n

Bug\u00fcn Ayasofya\u2019n\u0131n i\u00e7ine ad\u0131m att\u0131\u011f\u0131n\u0131zda, Fossati\u2019nin kayda ge\u00e7irdi\u011fi o nefes kesici enginlikle kar\u015f\u0131la\u015f\u0131rs\u0131n\u0131z. Kubbenin alt\u0131ndaki pencerelerden s\u00fcz\u00fclen g\u00fcn \u0131\u015f\u0131\u011f\u0131, alt\u0131n mozaikleri, mermer panolar\u0131 ve an\u0131tsal hat levhalar\u0131n\u0131 canland\u0131r\u0131r. Y\u00fczlerce y\u0131ll\u0131k Do\u011fu Roma ve Osmanl\u0131 tarihi, bu devasa mek\u00e2n\u0131n i\u00e7ine s\u00fcz\u00fclen \u0131\u015f\u0131\u011f\u0131n izinde bir arada izlenebiliyor. Yerden 55 metre y\u00fckseklikteki kubbenin alt\u0131nda durdu\u011funuzda, \u00e2deta Fossati\u2019nin kompozisyonundaki o k\u00fc\u00e7\u00fck fig\u00fcrlerinden birine d\u00f6n\u00fc\u015f\u00fcyorsunuz.<\/p>\n\n\n\n

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K\u0131z Kulesi: Bo\u011faz\u2019da \u0131\u015f\u0131\u011f\u0131 resmetmek<\/strong><\/h2>\n\n\n\n
\"Bo\u011fazi\u00e7i\u2019ndeki
Bo\u011fazi\u00e7i\u2019ndeki K\u0131z Kulesi, Sanford Robinson Gifford<\/figcaption><\/figure>\n\n\n\n

Amerikal\u0131 ressam Sanford Robinson Gifford, 19. y\u00fczy\u0131l\u0131n ortalar\u0131nda \u0130stanbul\u2019u ziyaret etti\u011finde, kentin en \u015fiirsel simgelerinden birine hayran olur: Avrupa\u2019da uzun s\u00fcre \u201cLeandros Kulesi\u201d olarak romantize edilen K\u0131z Kulesi\u2019ne. Gifford, tablosunda kuleyi deniz ve g\u00f6ky\u00fcz\u00fcn\u00fcn u\u00e7suz bucaks\u0131z, par\u0131ldayan manzaras\u0131na yerle\u015ftirir. Hudson River School sanat ak\u0131m\u0131na \u00f6zg\u00fc ince \u0131\u015f\u0131k ge\u00e7i\u015fleri, Bo\u011faz\u2019\u0131 erimi\u015f g\u00fcm\u00fc\u015f tabakas\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Kule, merkezde sessizce y\u00fckseliyor; tek ba\u015f\u0131na ama ayd\u0131nl\u0131k, su \u00fczerindeki yans\u0131mas\u0131 titre\u015fiyor.<\/p>\n\n\n\n

Gifford i\u00e7in mimari ayr\u0131nt\u0131dan \u00e7ok duygu \u00f6nemli. Onun \u0130stanbul\u2019u atmosferik, neredeyse r\u00fcya gibi bir yer: mitin, alacakaranl\u0131\u011f\u0131n ve Bo\u011faz \u00fczerindeki s\u00fcz\u00fclen \u0131\u015f\u0131\u011f\u0131n bir bulu\u015fmas\u0131. Bu, ger\u00e7ek bir manzara ancak ressam sanki Bo\u011faz\u2019\u0131 nefes ile durgunluk aras\u0131nda yakalam\u0131\u015f gibi hissettirebiliyor.<\/p>\n\n\n\n

\"G\u00fcn
G\u00fcn bat\u0131m\u0131nda K\u0131z Kulesi<\/figcaption><\/figure>\n\n\n\n

K\u0131z Kulesi\u2019ni Gifford\u2019un g\u00f6rd\u00fc\u011f\u00fc gibi g\u00f6rmek i\u00e7in en iyi bak\u0131\u015f noktas\u0131, do\u011frudan suyun \u00fczeri. Bir vapura ya da k\u00fc\u00e7\u00fck bir tekneye binip Bo\u011faz boyunca g\u00fcneye, Marmara Denizi\u2019ne do\u011fru ilerleyin. Tekne a\u00e7\u0131k sulara s\u00fcz\u00fcld\u00fck\u00e7e kule, tablodakine \u00e7ok benzer bir \u015fekilde belirecek. K\u0131y\u0131dan uzaktaki bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda kule, k\u0131talarla ak\u0131nt\u0131lar aras\u0131nda as\u0131l\u0131ym\u0131\u015f hissi veriyor. I\u015f\u0131k her dakikada de\u011fi\u015ferek dalgalar\u0131n \u00fczerinde oynuyor; t\u0131pk\u0131 Gifford\u2019un bir as\u0131rdan fazla zaman \u00f6nce yakalad\u0131\u011f\u0131 gibi.<\/p>\n\n\n\n

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Hipodrom: \u015eehrin merkezinde \u0130mparatorlu\u011fun yank\u0131lar\u0131<\/strong><\/h2>\n\n\n\n
\"Konstantinopolis\u2019te
Konstantinopolis\u2019te At Meydan\u0131, Fabius Brest<\/figcaption><\/figure>\n\n\n\n

1861 y\u0131l\u0131nda Frans\u0131z ressam Fabius Brest, \u0130stanbul\u2019un tarihi dokusu en yo\u011fun mek\u00e2nlar\u0131ndan birinde, antik d\u00fcnyada Konstantinopolis Hipodromu olarak bilinen At Meydan\u0131\u2019nda \u015f\u00f6valesini kurdu. Tablosu, g\u00fcndelik hayat\u0131n imparatorluk ge\u00e7mi\u015finin kal\u0131nt\u0131lar\u0131 aras\u0131nda s\u00fcrd\u00fc\u011f\u00fc, g\u00fcne\u015fle ayd\u0131nlanm\u0131\u015f geni\u015f bir meydan\u0131 g\u00f6zler \u00f6n\u00fcne seriyor. Merkezde M\u0131s\u0131r\u2019dan getirtilmi\u015f Theodosius Dikilita\u015f\u0131 y\u00fckseliyor; p\u00fcr\u00fczs\u00fcz granit y\u00fczeyi \u00f6\u011fleden sonra \u0131\u015f\u0131\u011f\u0131n\u0131 yakal\u0131yor.<\/p>\n\n\n\n

Brest\u2019i b\u00fcy\u00fcleyen, antik \u00e7a\u011f ile Osmanl\u0131 ya\u015fam\u0131n\u0131n yan yana var olu\u015fuydu. Sat\u0131c\u0131lar, yayalar ve muhaf\u0131zlar gibi fig\u00fcrler, bir zamanlar araba yar\u0131\u015flar\u0131na, imparatorluk t\u00f6renlerine ve imparatorluklar\u0131n y\u00fckseli\u015fine ve \u00e7\u00f6k\u00fc\u015f\u00fcne tan\u0131kl\u0131k etmi\u015f an\u0131tlar\u0131n aras\u0131nda do\u011fal bir rahatl\u0131kla dola\u015f\u0131yorlard\u0131. Kompozisyon sakin ama an\u0131tsal; meydan\u0131n, antik i\u015flevi silikle\u015fse bile ya\u015fayan bir kamusal alan olarak varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc\u011f\u00fcn\u00fc g\u00f6steriyor.<\/p>\n\n\n\n

\"Sultanahmet
Sultanahmet Meydan\u0131\u2019ndaki Dikilita\u015f<\/figcaption><\/figure>\n\n\n\n

Sultanahmet Meydan\u0131\u2019n\u0131 ziyaret etti\u011finizde Brest\u2019in tablosu \u00e2deta an\u0131nda canlan\u0131yor. Meydan\u0131n d\u00fczeni neredeyse hi\u00e7 de\u011fi\u015fmemi\u015f. Theodosius Dikilita\u015f\u0131, g\u00f6ky\u00fcz\u00fcne do\u011fru keskin bir bi\u00e7imde y\u00fckselmeye devam ediyor; \u00fczerindeki hiyeroglifler ise h\u00e2l\u00e2 ilk g\u00fcnk\u00fc kadar net ve belirgin. G\u00fcn\u00fcm\u00fczde alan, yava\u015f yava\u015f dola\u015fan ziyaret\u00e7ilerle ve yak\u0131ndaki Sultanahmet Camii\u2019nden y\u00fckselen dua sesleriyle dolu. Bir zamanlar Bizans arabac\u0131lar\u0131n\u0131n co\u015fkulu kalabal\u0131klar e\u015fli\u011finde h\u0131zla ge\u00e7ti\u011fi yerde bug\u00fcn sokak sat\u0131c\u0131lar\u0131 simit ve kestane sat\u0131yor. Meydanda yer alan antik s\u00fctunlar ve an\u0131tlar, bu s\u00fcreklili\u011fin sessiz tan\u0131klar\u0131 olarak duruyorlar. Kalabal\u0131ktan biraz uzakla\u015f\u0131p meydan\u0131n ortas\u0131nda durdu\u011funuzda, Brest\u2019i b\u00fcy\u00fcleyen o katmanl\u0131 zaman duygusunu h\u00e2l\u00e2 hissetmek m\u00fcmk\u00fcn.<\/p>\n\n\n\n

Bir m\u00fczedeki tablo genellikle uzaktan izlenir. Oysa T\u00fcrkiye\u2019de baz\u0131 mek\u00e2nlar vard\u0131r ki, yaln\u0131zca seyredilmez; ya\u015fan\u0131r. Bursa\u2019daki Ye\u015fil Cami\u2019nin a\u011f\u0131rba\u015fl\u0131 sessizli\u011fi, ay \u0131\u015f\u0131\u011f\u0131nda belirginle\u015fen Galata Kulesi, Ayasofya\u2019n\u0131n insan\u0131 i\u00e7ine \u00e7eken ihti\u015fam\u0131, Sultanahmet Meydan\u0131\u2019nda katman katman a\u00e7\u0131lan tarih\u2026 Burada bakmakla yetinmez, hik\u00e2yenin i\u00e7ine \u00e7ekilirsiniz.<\/p>\n\n\n\n

Bu hik\u00e2yelerle dolu yerleri ke\u015ffederken, sanat\u0131n ger\u00e7ekten hayat\u0131 taklit etti\u011fini fark edersiniz. Ya da belki de bu g\u00f6rkemli co\u011frafyada durum tam tersi. Bu me\u015fhur tablolar\u0131 ger\u00e7ek hayatta deneyimlemeye haz\u0131r m\u0131s\u0131n\u0131z? T\u00fcrk Hava Yollar\u0131 ile \u0130stanbul\u2019a u\u00e7u\u015funuzu<\/a> planlay\u0131n ve y\u00fczy\u0131llard\u0131r sanata ilham veren manzaralar\u0131 ke\u015ffedin.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bursa\u2019daki Ye\u015fil Camii: Kaplumba\u011fa Terbiyecisi\u2019nin d\u00fcnyas\u0131na bir yolculuk Yolculu\u011fumuz, T\u00fcrk sanat\u0131n\u0131n en \u00e7ok tan\u0131nan eserlerinden biri olan Osman Hamdi Bey\u2019in Kaplumba\u011fa Terbiyecisi ile ba\u015fl\u0131yor. Tablo, Bursa\u2019daki Ye\u015fil Camii\u2019nin mimari unsurlar\u0131ndan esinlenilmi\u015f, \u00e7inilerle kapl\u0131 bir mek\u00e2nda kaplumba\u011falar\u0131 e\u011fitmeye \u00e7al\u0131\u015fan c\u00fcppeli bir dervi\u015fi tasvir ediyor. Sembolizmi son derece g\u00fc\u00e7l\u00fc bir eser. Pek \u00e7ok izleyicinin fark etmedi\u011fi nokta, […]<\/p>\n","protected":false},"author":53,"featured_media":57844,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[575,574,495],"tags":[],"class_list":{"0":"post-57840","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-sanat-odakli-tatil","8":"category-seyahat-ve-tatil-fikirleri","9":"category-yerler"},"_links":{"self":[{"href":"https:\/\/blog.turkishairlines.com\/tr\/wp-json\/wp\/v2\/posts\/57840","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.turkishairlines.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.turkishairlines.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.turkishairlines.com\/tr\/wp-json\/wp\/v2\/users\/53"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.turkishairlines.com\/tr\/wp-json\/wp\/v2\/comments?post=57840"}],"version-history":[{"count":5,"href":"https:\/\/blog.turkishairlines.com\/tr\/wp-json\/wp\/v2\/posts\/57840\/revisions"}],"predecessor-version":[{"id":58792,"href":"https:\/\/blog.turkishairlines.com\/tr\/wp-json\/wp\/v2\/posts\/57840\/revisions\/58792"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.turkishairlines.com\/tr\/wp-json\/wp\/v2\/media\/57844"}],"wp:attachment":[{"href":"https:\/\/blog.turkishairlines.com\/tr\/wp-json\/wp\/v2\/media?parent=57840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.turkishairlines.com\/tr\/wp-json\/wp\/v2\/categories?post=57840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.turkishairlines.com\/tr\/wp-json\/wp\/v2\/tags?post=57840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}